Virtual workers and the global labour market (‘Dynamics of virtual work’ series) by Juliet Webster and Keith Randle (eds) (2016), London: Palgrave Macmillan. ISBN: 978‐1‐137‐47918‐1, xvii + 279 pp.

Date01 March 2017
Published date01 March 2017
AuthorGillian Symon
DOIhttp://doi.org/10.1111/ntwe.12084
New Technology, Work and Employment 32:1
ISSN 0268-1072
Book Review
Virtual workers and the global labour market (‘Dynamics of virtual work’ series)
Juliet Webster and Keith Randle (eds) (2016), London: Palgrave Macmillan. ISBN:
978-1-137-47918-1, xvii + 279 pp.
This book is one in a series published through the auspices of an international,
interdisciplinary research network investigating The Dynamics of Virtual Work and
funded by the European Union: http://dynamicsofvirtualwork.com/. In this vol-
ume the discussion centres on examining what new forms of work and organising
are emerging given the globalisation of the labour market and the virtualisation
of work. The book is organised in three sections, however, the first section only
consists of one chapter, a very helpful overview and introduction (Webster &
Randle). The other two sections focus on Virtual Occupations, Work Processes and
Preparation for the Virtual Labour Market and The Conditions and Experiences of Virtual
Work. While the boundaries between these two sections seem more permeable
than the demarcation suggests—in line with the chapter discussions of the nature
of virtual work itself—we are treated to an analysis of a variety of different sites
and experiences of virtuality across a range of national contexts:
We learn about the specific issues facing workers new to the labour market through Müller’s
chapter on young persons’ attraction to ‘cool’ occupational roles that express valued identity
projects despite poor financial rewards and precarity; and through Michailidou & Kostala’s
work concerning young entrepreneurs’ motivations in the creative industry;
Contributors share with us analyses of new kinds of digitally enabled occupations such as
Holts & Surugui on the rise of on-line poker as an occupation; Kerr on the roles of com-
munity managers in the digital games industry; and Bengtsson on working in Second Life.
Such ‘new’ kinds of occupation exploit individual’s cultural capital (rather than formal
qualifications), involve extensive impression management and new kinds of employment
relationships;
We also learn how traditional occupations may be changing in the light of digital practices
as Pfeiffer, Wühr & Schütt describe the tacit practices required to make standardisation
workable; Pitts discusses the structural constraints on freelance creative work; and Surugiu
explains the transformation of journalism to ‘digital piecework’ (182);
We discover the new kinds of work processes and workplace experiences associated with virtu-
ality through Primorac’s chapter on the precarity of creative labour; Sivunen on experiencing
absence in virtual teams; and D’Cruz on the distinctive nature of cyberbullying.
Each author adopts a critical perspective on the nature of work in the digital
era. This type of work is generally presented as involving increased exploitation
rather than emancipation from drudgery. However, it is not digital technologies
that are responsible for these increased levels of exploitation, and across the book
the authors eschew any form of technological determinism. Rather, they argue
that these effects emerge in the context of a neoliberal capitalist agenda that is
simply being continued, or even accelerated, through (more covert) digital means.
As work becomes progressively physically dispersed and distributed across global
value chains, we are warned of the potential deepening of class, gender and
ethnic divides within the virtual workforce (Webster & Randle).
Indeed, the term ‘virtuality’ is not confined to a purely technological interpre-
tation but is also used to encompass experiences of ‘immaterial labour’ and ‘pre-
carity’. Thus, as well as referring to digital communications and their shaping of
62 New Technology, Work and Employment © 2017 John Wiley & Sons Ltd

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