Reconsidering value and labour in the digital age (dynamics of virtual work series) by Eran Fisher and Christian Fuchs (eds) (2015), Houndmills/Basingstoke/Hampshire: Palgrave Macmillan. ISBN 978‐1‐137‐47856‐6, xiii + 268 pp.

Date01 March 2017
AuthorRudi Schmiede
DOIhttp://doi.org/10.1111/ntwe.12083
Published date01 March 2017
New Technology, Work and Employment 32:1
ISSN 0268-1072
Book Review
Reconsidering value and labour in the digital age (dynamics of virtual work series)
Eran Fisher and Christian Fuchs (eds) (2015), Houndmills/Basingstoke/Hampshire:
Palgrave Macmillan. ISBN 978-1-137-47856-6, xiii + 268 pp.
This is a book of papers originally presented at a workshop entitled ‘Marx’s
Labour Theory of Value in the Digital Age’ which was held in June 2014 at the
Open University of Israel under the auspices of the EU COST network on The
Dynamics of Virtual Work. The question of value production and the valorisation
of capital in the era of digitisation (which is inseparable from financialisation and
globalisation) has attracted special social scientific and political attention recently.
The starting point of this book is the question of how the process of extracting
value from labour has changed with the recent digitisation of work under capi-
talism. In their introductory chapter, Fisher and Fuchs stress the importance of
this Marxian theoretical tradition and devote most of it to an overview of his
writings on labour, value, productive labour and rent.
In the first part of the book entitled ‘Foundations’, Fuchs discusses productive
labour and rent. He argues that ‘the concept of rent is mistaken for understanding
the political economy of Facebook and […] Facebook users are productive trans-
port workers who communicate advertising ideologies that make use- value prom-
ises. Their activities are productive labour (1, 2, 3)’ (p. 38). By 1, 2, 3 he means
Marx’s three central criteria for productive labour: that it produces use- values,
that it produces capital and surplus- value for accumulation, and that it includes
combined or collective labour for these purposes.
In the second article in this section, Sandoval argues for an inclusive approach
to cultural labour. She criticises optimistic theories of the information society and
cultural work which focus almost entirely on immaterial labour, insisting that we
‘consider both the hands and brains of cultural production to avoid mystifying
the materiality of digital culture’ (p. 43). She stresses the importance of the tech-
nological basis of today’s information, communication and knowledge production
and sees the global division of labour in global value chains as ‘the dirty secret
of the digital revolution’. This argument echoes Raymond Williams’s materialist
critique of a merely idealist concept of culture and cultural work, and is supported
by examples of the value chains and the accompanying social inequalities of big
cultural producers like Apple and Google.
The second part of the book deals with ‘Labour and Class’. Lund sets out a
critique of the concept ‘playbour’ by analysing play, game, work and labour to
show that ‘play and labour are […] each other’s opposites: a qualitative non-
instrumentality and a quantitative instrumentality’ (p. 67). Work by Hannah Arendt
and Moishe Postone is deployed in support of this argument, and the author
concludes that peer production with its focus on use- values and free associations
has an emancipatory potential because it transcends the division of labour and
alienation in ‘a generalised workplay or playwork’ (p. 76).
Recent labour statistics reveal more than twelve million Internet workers in
China, and Xia’s chapter places them within an analysis of the Chinese class
structure. They regularly work overtime without proper pay, suffer high work
intensity, mostly low workplace autonomy and precarious insecurity. They are
highly educated, but most of them work in private firms which have poorer pay
© 2017 John Wiley & Sons Ltd Book review 59

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