Writing the Background and Summary

AuthorRonald D. Slusky
Pages269-284
269
CHAPTER EIGHTEEN
Writing the Background and Summary
The writing of a patent specification should be guided by the same prin-
ciples that guide invention analysis and claiming: problem, solution, and
inventive concept. Another important consideration is the specification’s
intended readership.
This chapter begins with a discussion of “the audience” and then
focuses in on the specification’s Background and Summary. The chapter
that follows discusses the Detailed Description.
The Audience
A patent specification must be detailed enough to enable a person skilled
in the art to practice the invention. This is the so-called enablement
requirement of 35 U.S.C. 112(a):
The specification shall contain a written description of the inven-
tion . . . [sufficient] to enable any person skilled in the art . . . to make
and use the same . . .
Enablement is only a minimum legal requirement, however. An effec-
tive specification speaks to an audience extending far beyond the per-
son skilled in the art. In fact, although we often say that the audience for
the specification is the person skilled in the art, there is no such real-life
reader. The person skilled in the art is only a legal construct defining a
standard for the specification’s required level of detail.
The specification’s real-life audience is multifaceted, comprising the
patent examiner, the Opposing Team, and possibly a judge and jury.
When written with this wider audience in mind, the specification can
further the interests of the patent owner in ways that a specification that
is minimally enabling may not. Such a specification can facilitate allow-
ance in the Patent Office, make the patent easier to license, and provide
an effective platform from which a litigator can argue the merits of the
invention to the judge and jury.
In one sense, everything ultimately does come down to the claims.
The examiner, for example, is principally focused on ensuring that the
270 CHAPTER EIGHTEEN
claims do not read on the prior art. However, allowance of the claims
is helped along when the examiner understands what the invention is
and is convinced that there is inventive subject matter to be claimed. The
specification is the place to convince him of that.
The Opposing Team is also focused on the claims. They want to
know whether or not the claims read on their product. But even if the
claims do read on the Opposing Team’s product, they will resist taking
a license unless convinced that their product takes advantage of some-
thing novel taught by the patentee. The patent owner’s goal is for the
Opposing Team to lay down their arms and take a license with as little
fuss as possible. They certainly will not do so if they feel they are being
asked to pay something for nothing. The specification is a place to con-
vince the Opposing Team that they are not being asked to pay something
for nothing.
Judges and juries must decide whether the claims are valid and
infringed. But before they hand over millions of dollars to the patent
owner, judges and juries want to believe that justice is being done—
that the essence of the invention has actually been appropriated by the
accused infringer. They are therefore likely to look to the specification
to be assured that justice is being done. Patent claims are a mystery to
most non-patent professionals—a seemingly impenetrable morass of
“saids” and “means for.” The specification should be expressed in “reg-
ular” English to encourage judges and juries to try to read and under-
stand it. Indeed, a patent application that is easy to read and understand
is more likely to get the attention of a busy judge. A jury convinced that
the inventive essence has been appropriated may return a finding of
infringement even if the claims somewhat miss the mark.
A specification that achieves all of this is more than just a compendium
of technical facts. It tells a story. It is a story of a problem, and of a solution
made possible by the patentee’s recognition of something that others did
not recognize. Ideally, that story is told twice—once in the Background and
Summary, as discussed in this chapter, and again in the Detailed Descrip-
tion, as discussed in the chapter that follows. Each of the two tellings is
built upon and amplifies the problem-solution statement.
The Background
The Background tells the story of a problem that others could not solve,
or could solve only partially or only in a complex or expensive way.
An effective Background brings the reader to a point of dramatic ten-
sion. By the end of the Background, the reader should be thinking two
things: “Yes, I see that there is a problem,” and “I wonder how they
solved it. Let me read on.”

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