Windowing television content: Lessons for digital business models

AuthorFerran Vendrell‐Herrero,Ganna Pogrebna,Glenn Parry
Published date01 March 2018
Date01 March 2018
DOIhttp://doi.org/10.1002/jsc.2190
RESEARCH ARTICLE
DOI: 10.1002/jsc.2190
Strategic Change. 2018;27(2):151–160. wileyonlinelibrary.com/journal/jsc © 2018 John Wiley & Sons, Ltd. 151
Abstract
There is a market for successful distribuon of television content using a Windowing strategy.
This arcle invesgates if a strategy where content is made available to consumers through dif-
ferent channels over me, a “Windowing” business models, is appropriate for releasing television
programs. By inially exposing consumers to a controlled quanty of free content greater value
can be captured at later stages as 55% of these consumers are 13–20% more likely to become
paying subscribers.
1 
|
 INTRODUCTION
Disrupve innovaon creates new business opportunies, but it also
raises new challenges (Christensen & Overdorf, 2000; Govindarajan
& Kopalle, 2006). Examples of disrupve innovaons include internet
broadband, increased computer capacity, compression algorithms for
les and smart and connected products (Porter & Heppelmann, 2014;
Tidd, Bessant, & Pavi, 2005). The digitalizaon process parcularly
aects industries that create content that can be commercialized or
shared on the web. These digital industries are catalogued under the
heading informaon industries in the NAICS 2002 (Reitzig & Puranam,
2009), and include music, television broadcasng, moon pictures,
media, soware, videogames, and books. Informaon industries face
an on‐going threat to their revenues from those who engage in ille-
gally providing access, usually free, to their core content.
The Moon Picture Associaon of America esmates that lm
industry losses due to piracy exceed $3 billion annually (De Vany &
Walls, 2007). This implies that tradional business models and the laws
that support them are out‐dated as they fail to capture value in the
market place (Jordan & Bolton, 2004). Industries may lobby for new and
stronger regulaon (Danaher, Smith, Telang, & Chen, 2014), support
the development of new business models (Busnza, Vendrell‐Herrero,
Parry, & Myrthianos, 2013), or both, in order to compete in the digital
space (Forte, Homan, Lamont, & Brockmann, 2000). In this arcle, the
work seeks to shed light on how digital business models can allow rms
in informaon industries to recapture some of the value lost.
Business model literature proposes a number of dierent frame-
works, but the majority of research arcles in the area provide ref-
erence to three core elements: the rm’s value proposions; the
customer’s value realizaon process; and the means by which the
rm captures value usually in terms of nancial worth (Parry & Tasker,
2014). Business Models are an appropriate unit of analysis as they
Windowing television content: Lessons for digital
business models*
Glenn Parry1 | Ganna Pogrebna2 | Ferran Vendrell‐Herrero3
1 Bristol Business School, University of the
West of England, United Kingdom
2 The Department of Economics, University
of Birmingham, Birmingham, United
Kingdom
3 Department of Management, University of
Birmingham, Birmingham, United Kingdom
Correspondence
Glenn Parry, Bristol Business School,
University of the West of England, BS16
1QY Bristol, United Kingdom.
Email: glenn.parry@uwe.ac.uk
Funding informaon
EPSRC “Control and Trust as Moderang
Mechanisms in addressing Vulnerability
for the Design of Business & Economic
Models Grant Number: EP/N028422/1
(to G.P.”. Then Spanish Ministry of
Science and Innovaon, Grant Number:
ECO2014‐58472‐R (to F.V‐H.); European
Union (Horizon 2020 Marie Skłodowska‐
Curie Acons Project MAKERS: Smart
Manufacturing for EU Growth and
Prosperity) (to F.V‐H.)
* JEL classicaon codes: K0, K42.

To continue reading

Request your trial

VLEX uses login cookies to provide you with a better browsing experience. If you click on 'Accept' or continue browsing this site we consider that you accept our cookie policy. ACCEPT