Supervisor‐Directed Emotional Labor as Upward Influence: An Emotions‐as‐Social‐Information Perspective

Published date01 May 2020
AuthorYanjun Guan,Frank Walter,Hong Deng
Date01 May 2020
DOIhttp://doi.org/10.1002/job.2424
RESEARCH ARTICLE
Supervisor-Directed Emotional Labor as Upward Influence: An
Emotions-as-Social-Information Perspective
Hong Deng
1
| Frank Walter
2
| Yanjun Guan
1
1
Durham University Business School Durham
University, UK
2
Faculty of Economics and Business Studies,
Justus-Liebig-University Giessen, Germany
Correspondence
Yanjun Guan, Durham University.
Email: yanjun.guan@gmail.comor
Hong Deng, Durham University.
Email: xhxghome@gmail.com
Summary
To access organizational resources, subordinates often strive to influence supervi-
sors' impressions. Moreover, subordinates' interactions with supervisors are known
to be ripe with emotions. Nevertheless, research on upward impression management
has rarely examined how subordinates' emotion regulation in supervisor interactions
may shape their tangible outcomes. The present study introduces subordinates' emo-
tional labor toward supervisors as a novel means of upward influence. Building on
the emotions-as-social-information model, we propose that supervisor-directed emo-
tional labor indirectly relates with supervisory reward recommendations by shaping
supervisors' liking and perceived competence of subordinates. Moreover, we cast
supervisors' epistemic motivation as a boundary condition for these indirect relations.
We tested these notions using time-lagged data from 377 subordinates and 91 super-
visors. When supervisors' epistemic motivation was higher (but not lower), (1) super-
visor-directed surface acting related negatively with supervisors' liking and perceived
competence of subordinates and (2) supervisor-directed deep acting related posi-
tively with supervisors' liking of subordinates. Liking and perceived competence, in
turn, related positively with supervisors' willingness to recommend subordinates for
organizational rewards. These findings highlight supervisor-directed emotional labor
as an upward impression management strategy with both beneficial (deep acting) and
detrimental (surface acting) implications, and they illustrate important mechanisms
and a key contingency factor for these consequences.
KEYWORDS
emotional labor, deep acting, impression management, surface acting, upward influence
Formal supervisors critically shape their subordinates' rewards, bene-
fits, and career outcomes (Allen & Rush, 1998). Hence, the literature
on upward impression management has shown that subordinates
employ an array of tactics to appear as more likable and competent to
their supervisors and, thus, to gain access to key organizational
resources (Leary & Kowalski, 1990; Wayne & Liden, 1995).
Such behaviors include self-promotion (i.e., highlighting one's accom-
plishments), ingratiation (i.e., doing favors or giving flattery), and
exemplification (i.e., depicting one's actions as exemplary; Turnley &
Bolino, 2001).
Beyond such traditionally examined tactics, however, subordi-
nates may also use more subtle means of self-regulation as vehi-
cles of upward impression management in their everyday
interactions with supervisors (Thoits, 1996). We argue that subordi-
nates' emotion regulation is particularly important in this regard. In
fact, it is well-known that individuals strategically use emotion dis-
plays to impact relevant others, such that emotions are expressed
intentionally to produce the desired appraisal(Gibson & Schroeder,
2002, p. 197; see also Ashforth & Humphrey, 1993). Moreover,
prior research has shown that supervisor-subordinate encounters
Received: 30 July 2018 Revised: 17 December 2019 Accepted: 18 December 2019
DOI: 10.1002/job.2424
384 © 2020 John Wiley & Sons, Ltd. J Organ Behav. 2020;41:384402.wileyonlinelibrary.com/journal/job
are ripe with emotions, and processes of emotion regulation may
therefore be particularly relevant in such interactions (e.g., Gooty,
Connelly, Griffith, & Gupta, 2010; Humphrey, 2002). Scholars have
argued, accordingly, that both supervisors and subordinates hold
specific expectations and norms for how subordinates should act
towards supervisors (Carsten, Uhl-Bien, West, Patera, & McGregor,
2010)and these norms entail subordinates' expressions of appro-
priate emotionality as a key element (Sy, 2010; Xu, Liu, & Guo,
2014). On this basis, systematic consideration of subordinates'
deliberate emotion regulation in supervisor interactions
(i.e., supervisor-directed emotional labor) seems crucial to ade-
quately understand how subordinates may influence their supervi-
sors to attain desired outcomes.
Nevertheless, the upward impression management literature
has not incorporated subordinates' emotion regulation toward their
supervisors to date, and research on emotional labor has only
started to touch upon this issue (Hu & Shi, 2015; Xu et al., 2014).
We therefore believe further research is needed to complement
our knowledge, illustrating supervisor-directed emotional labor as a
common means of upward influence that may shape relevant out-
comes for subordinates, above-and-beyond other, traditionally
examined tactics. More specifically, such research may advance
theory on upward impression management by highlighting (a) how
subordinates regulate their emotion expressions toward supervisors,
(b) why such emotion regulation may promote (or hinder) subordi-
nates' access to tangible organizational resources, and (c) when
such emotion regulation is particularly relevant as an instrument of
upward influence.
We draw from the emotions as social informationmodel
(EASI; Van Kleef, 2009, van Kleef, 2014) and its extensions toward
emotion regulation (Côté, Van Kleef, & Sy, 2013) to address these
issues. This conceptual perspective integratively depicts important
psychological processes and contingency factors underlying
observers' behavioral reactions toward others' (regulated) emotion
displays. First, the EASI model suggests that an actor's emotion
expressions shape observers' reactions via two distinct pathways
(Côté et al., 2013; Van Kleef, 2009; van Kleef, 2014), namely
(a) through observers' affective responses (including both general
emotions [e.g., positive or negative affect] and interpersonal emo-
tions directed toward the actor [e.g., liking]) and (b) through
observers' task-related inferences (e.g., about an actor's compe-
tences). And second, the EASI model stipulates that an observer's
information processing style may shape the strength of these path-
ways, altering both observers' attentiveness toward others' emotion
displays and the depth of the associated conclusions (Van Kleef,
2009; van Kleef, 2014).
As shown in Figure 1, we therefore propose a dual-pathway
contingency framework to explicate the linkage between subordi-
nates' emotional labor in supervisor interactions and an important
outcome under direct supervisory control (i.e., reward recommen-
dations; defined as a supervisor's willingness to suggest a subordi-
nate for organizational rewards, bonuses, or benefits; Allen & Rush,
1998). This framework casts a supervisor's liking and perceived
competence of a focal subordinate as key psychological mecha-
nisms, and it postulates a supervisor's epistemic motivation (i.e., a
personality trait that indicates the extent to which individuals pro-
cess information with the desire to develop and maintain a rich
and accurate understanding of situations"; Van Kleef et al., 2009,
p. 564) as a critical contingency factor. Moreover, it incorporates
the common distinction between surface acting and deep acting as
separate emotional labor strategies. Building on prior research
(Grandey, 2000; Gross, 1998), we conceptualize supervisor-directed
surface acting as a form of response-focused emotion regulation,
with subordinates faking appropriate emotion displays when inter-
acting with their supervisor. By contrast, supervisor-directed deep
acting represents a form of antecedent-focused emotion regulation,
FIGURE 1 Overall Research Model (Note: All variables below the dashed line are at the individual subordinates' level.)
DENG ET AL. 385

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