Whistling Past the Graveyard

AuthorJared Loggins
DOIhttp://doi.org/10.1177/00905917221128894
Published date01 February 2023
Date01 February 2023
Subject MatterArticles
https://doi.org/10.1177/00905917221128894
Political Theory
2023, Vol. 51(1) 162 –177
© The Author(s) 2022
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DOI: 10.1177/00905917221128894
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Article
Whistling Past the
Graveyard
Jared Loggins1
Abstract
This essay is part of a special issue celebrating 50 years of Political Theory. The
ambition of the editors was to mark this half century not with a retrospective
but with a confabulation of futures. Contributors were asked: What will
political theory look and sound like in the next century and beyond? What
claims might political theorists or their descendants be making in ten, twenty-
five, fifty, a hundred years’ time? How might they vindicate those claims in
their future contexts? How will the consistent concerns of political theorists
evolve into the questions critical for people decades or centuries from
now? What new problems will engage the political theorists (or their rough
equivalents) of the future? What forms might those take? What follows is
one of the many confabulations published in response to these queries.
[Power] is something like a shadow cast into the future by action . . .
—Patchen Markell, “The Moment Has Passed”1
Memory (the deliberate act of remembering) is a form of willed creation.
—Toni Morrison, “Memory, Creation, and Writing”2
1Amherst College, Amherst, MA, USA
Corresponding Author:
Jared Loggins, Amherst College, 220 South Pleasant Street, Amherst, MA 01002, USA.
Email: jloggins@amherst.edu
1128894PTXXXX10.1177/00905917221128894Political TheoryLoggins
research-article2022
1. Romand Coles, Mark Reinhardt, and George Shulman, Radical Future Pasts:
Untimely Political Theory (Lexington: University Press of Kentucky, 2014).
2. Toni Morrison, “Memory, Creation, and Writing,” Thought: Fordham University
Quarterly 59, no. 4 (1984): 385–90, https://doi.org/10.5840/thought198459430.
Loggins 163
The ghost has its own desires, so to speak, which figure the whole complicated
sociality of a determining formation that seems inoperative (like slavery) or
invisible (like racially gendered capitalism) but that is nonetheless alive and
enforced. But the force of the ghost’s desire is not just negative, not just the
haunting and staged words, marks, or gestures of domination and injury. The
ghost is not other or alterity as such, ever. It is (like Beloved) pregnant with
unfulfilled possibility, with the something to be done that the wavering present
is demanding. This something to be done is not a return to the past but a
reckoning with its repression in the present, a reckoning with that which we
have lost, but never had.
—Avery Gordon, Ghostly Matters3
The editors of Political Theory have asked respondents to confabulate
about the following question: “what claims might political theorists or their
descendants be making in ten, twenty-five, fifty, a hundred years’ time?” To
this, I pose my own: how should we regard talk of the future in light of a
present that is experienced as necropolitical in its effects and a past that has
not been mourned?4 Racial technologies of the present are driven axiomati-
cally by the disappearance of the vulnerable (as literal and social death).5 In
this death drive, the histories of violence and dispossession of Black life
amount to the repressed but still present inventory fueling its reproduction
now. Thus both the past and present of racial disappearance mutually consti-
tute one another in the shaping of the political order—and, crucially, in the
practices of memory and forgetting deployed to preserve it. This raises the
stakes of mourning as a radical democratic project. Such a project is con-
cerned, as it must be, with the future but not at the expense of an accounting
of the brutal past and, as Avery Gordon put it in her epigraphic invocation of
Toni Morrison’s Beloved, the “unfulfilled possibility” of the graveyard.
Disappeared Black lives (now and in the past) are our tragic inheritance in
3. Avery F. Gordon and Janice Radway, Ghostly Matters: Haunting and the
Sociological Imagination, 2nd ed. (Minneapolis: University Of Minnesota
Press, 2008).
4. I draw my use of necropolitics from J.-A. Mbembé and Libby Meintjes,
“Necropolitics,” Public Culture 15, no. 1 (2003): 11–40.
5. For two accounts that conceptualize the dead of the past (slavery and other
regimes of violence) as part of the ongoing inventory of racial capitalism, see
Denise Ferreira da Silva, “Toward a Black Feminist Poethics: The Quest(Ion) of
Blackness Toward the End of the World,” The Black Scholar 44, no. 2 (2014):
81–97; Endnotes, “The Limit Point of Capitalist Equality by Chris Chen,” https://
endnotes.org.uk/issues/3/en/chris-chen-the-limit-point-of-capitalist-equality.

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