Theorizing the first amendment: From Roger Williams to Larry Flynt

Pages91-110
DOIhttps://doi.org/10.1108/S1059-4337(2010)0000053007
Published date31 December 2010
Date31 December 2010
AuthorH.N. Hirsch
THEORIZING THE FIRST
AMENDMENT: FROM ROGER
WILLIAMS TO LARRY FLYNT
H. N. Hirsch
ABSTRACT
This chapter argues that the theoretical core of the First Amendment can
be found in the concept of disestablishment, and that the meaning of
disestablishment can be, and has been, extended from the religious sphere
to the secular. It explores the historical development of rights of
conscience and dissent, and the application of those rights to various
changing historical circumstances, such as the development of political
parties and the struggle over slavery. It then turns to an application of this
analysis to several contemporary First Amendment controversies,
including campaign finance and sexual expression.
Stanley Fish, twentieth century polymath extraordinaire, has opined that
‘‘there is no such thing as free speech,’’ by which he means that we do not
really know how to define or think clearly about the concept. He discusses
‘‘the manifest incoherence and absurdity of current First Amendment
doctrine[,] which regulates in the name of nonregulation, draws bright lines
no one can clearly see, and recognizes so many exceptions to its rules that it
Studies in Law, Politics, and Society, Volume 53, 91–110
Copyright r2010 by Emerald Group Publishing Limited
All rights of reproduction in any form reserved
ISSN: 1059-4337/doi:10.1108/S1059-4337(2010)0000053007
91
is finally as ad hoc and haphazard as the world it fails to order’’ (2002,
pp. 200–201).
Is Fish right? Do we not know what we mean by ‘‘free speech’’? Is there
no organizing principle that can guide First Amendment jurisprudence?
Professor Fish is wrong. There is an overarching First Amendment
principle, and that principle is disestablishment – a concept that can be
extended from its religious origins to encompass a wide range of First
Amendment issues, and that can be used to organize our thinking about new
issues as they arise.
1
To demonstrate the utility of the idea of disestablishment as an
overarching First Amendment principle, consider first the following thought
experiment.
A long-lost childhood friend dies and leaves you $3 billion, along with a
cryptic note, saying, ‘‘I trust you to use the money well. Do some good
things.’’
After taking out $100 million on which you and your descendants can
prosper, you consider a range of alternatives. You could, of course, give the
remaining $2.9 billion to your alma mater, making it one of the richest
schools in the country. You could start a foundation, such as the
Rockefeller Foundation. You could divide the money among hospitals and
charities. All of these would be among the typical choices of the very rich.
Or. The money comes to you in the summer of 2008, and you decide to
use the money to help elect Barack Obama president. You are an early and
ardent Obamaniac; you think of him as a secular Messiah. You fervently
believe the fate of the nation and indeed the survival of the world depends
on defeating John McCain (and his bible-quoting running mate) and
electing the tall, lanky Senator from Illinois. Not knowing much about
campaign finance laws, you initially think you can use every penny of the
$2.9 billion to help elect Senator Obama.
Now consider what you do with the $100 million you have carved out for
your family. You have a son who is 16 and a daughter who is 20. You give
each of them $3 million, telling them ‘‘pursue your dream.’’
Your son then promptly announces that he’s gay, and that he’s going to
give most of his share of the money to groups that offer support to gay
teenagers and people with HIV. And your daughter, who has always been a
bit artistic, announces she’s going to Las Vegas to become a nude dancer
because, she says, only nude dancing will allow her fully to express her
artistic vision.
So, your long-lost friend’s money would here end up financing a political
preference, a sexual orientation, and a form of erotic art.
H. N. HIRSCH92

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