The Haunted House that guns built: did a marketing campaign trick Americans into loving firearms?

AuthorBurrus, Trevor
PositionPamela Haag's "The Gunning of America: Business and the Making of American Gun Culture" - Book review

The Gunning of America: Business and the Making of American Gun Culture, by Pamela Haag, Basic Books, 528 pages, $29.99

Sarah Winchester was the widow of William Winchester, and William's father Oliver was the paterfamilias of the Winchester gun company. Oliver died in December 1880, and William succumbed to tuberculosis four months later. Two months after that, Sarah's mother died. By mid-1881, Sarah was essentially alone. But she also held 48 percent of the stock for the Winchester Repeating Arms Company. And the stock paid dividends, between 21 and 79 percent of profits every year from 1869 to 1914.

Upon William's death, his wealthy widow got on a train in New Haven and went west until she couldn't go further. She ended up in San Jose, then a burgeoning town still feeling the aftereffects of the gold rush. She bought some land and began building a house--and kept building, and building, and building. When she died in 1922, the house was still under construction: a confusing, ad hoc, and immense mansion of 160 rooms filled with inscrutable architectural choices. Doors open onto walls; staircases go nowhere; halls wind back and forth; rooms are built within rooms. The whole disorienting, labyrinthine mess is now dubbed the Winchester Mystery House.

Why did Sarah build it? Well, there's the legend and there's the truth.

Here's the legend: Distraught by the deaths of the people closest to her, Sarah became heavily involved with spiritualism. A medium told her the family was cursed by everyone who had been killed by Winchester guns, and that she should go west to build a house for the spirits. If construction ever stopped, the medium said, Sarah would the as well. The house is built in a convoluted fashion in order to throw off the spirits, who apparently were easily confused by switchback hallways and oddly placed doors.

The truth? No one knows. Sarah left no journals, she was obsessively reclusive, and very few records exist.

But for Pamela Haag, the legend in some sense is the truth. In The Gunning of America, her contentious and aggravating but still ultimately interesting book, the Yale-educated historian traces the stories of American "gun capitalists," most prominently the Winchester family, and the businesses they built. "We hear a great deal about gun owners, but what do we know about their makers?" she asks. Haag tells Sarah's story because "Oliver Winchester produced the rifles that contributed to many a gun legend; and, through her creation, Sarah became a counter-legend to the gun legends....Oliver's mad ambition and Sarah's mad conscience belong to the same story and culture."

More bluntly, she tells the legend because it fits her narrative...

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