The “Enigma of Biopolitics”: Antiblackness, Modernity, and Roberto Esposito’s Biopolitics

Date01 October 2018
DOI10.1177/0090591717737474
Published date01 October 2018
Subject MatterArticles
https://doi.org/10.1177/0090591717737474
Political Theory
2018, Vol. 46(5) 749 –771
© The Author(s) 2017
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DOI: 10.1177/0090591717737474
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Article
The “Enigma
of Biopolitics”:
Antiblackness,
Modernity, and Roberto
Esposito’s Biopolitics
John McMahon1
Abstract
What would it mean to take antiblackness seriously in theories of
biopolitics? How would our understanding of biopolitics change if antiblack
racialization and slavery were understood as the paradigmatic expression
of biopolitical violence? This essay thinks through the significance of black
studies scholarship for disentangling biopolitics’ paradoxes and dilemmas. I
argue that only by situating antiblackness as constitutive of modernity and
of modern biopolitics can we begin to meet the theoretical and political
challenges posed by biopolitics. While Roberto Esposito formulates some of
the most important questions about biopolitics, his responses will always be
insufficient insofar as he engages in no discussion of blackness, antiblackness,
slavery, white supremacy, or the role of sociopolitical processes of
racialization, violence, and domination. I move from a critique of Esposito to
explore the modernity-making processes of the imbrication of antiblackness
and biopolitics. To do so, I analyze the biopolitics of birth and of flesh, and
interrogate the (im)possibility of an affirmative biopolitics. Ultimately, the
essay argues that theories of biopolitics can be genuinely critical only to the
extent that they center antiblackness.
1Department of Political Science, Beloit College, Beloit, WI, USA
Corresponding Author:
John McMahon, Department of Political Science, Beloit College, Box 207, 700 College St.,
Beloit, WI 53511, USA.
Email: mcmahonja@beloit.edu
737474PTXXXX10.1177/0090591717737474Political TheoryMcMahon
research-article2017
750 Political Theory 46(5)
Keywords
biopolitics, Roberto Esposito, race, antiblackness, slavery, modernity
Any historical account of the rise of modern terror needs to address slavery,
which could be considered one of the first instances of biopolitical
experimentation.
Achille Mbembe1
Early on in Roberto Esposito’s sweeping Bíos: Biopolitics and Philosophy,
he asserts the need to “peer into the black box of biopolitics from a variety of
angles and with a greater breadth of gaze” in order to unravel its “tragic para-
dox” of the politics of life culminating in the “work of death.”2 For Esposito,
biopolitics and its interpretation engulf one in paradox, uncertainty, tension,
uneasiness, indiscernibility, dissatisfaction, conflict, superimposition, irrec-
oncilability, deadlock, oscillation, deconstruction, impasse, indistinction,
antinomy, collapse, and aporetic knots—all ways he characterizes the diffi-
culty of analyzing biopolitics in the first chapter alone. Above all else, this
“enigma of biopolitics” is to be unlocked in the undecidability between “a
politics of life or a politics over life” and between “subjectivization and
death,” tensions where “the category of biopolitics folds in upon itself with-
out disclosing the solution to its own enigma.”3 Consequently, “the category
of biopolitics seems to demand a new horizon of meaning, a different inter-
pretive key that is capable of linking” the politics of life and of death.4 This
article provides a different horizon of meaning from which to approach bio-
politics, one strikingly absent from Esposito’s work: that of antiblackness and
transatlantic slavery, as theorized in recent black studies scholarship.
The objective of this article is to engage in a critique of Esposito—while
retaining the questions he asks about biopolitics—to explore the modernity-
making processes of the imbrication of antiblackness and biopolitics. In other
words, I use Esposito’s own queries about biopolitics in order to generate a
critique of his theorizing and to reconstruct a biopolitical framework from the
standpoint of antiblackness. In my view, Esposito effectively revises and
works through difficulties posed by Agamben’s, and, especially, Foucault’s
analyses of biopolitics, dissecting the conflicts and unresolved questionscre-
ated in their writing. Whereas Foucault, in Esposito’s analysis, cannot ulti-
mately resolve the paradox of why a politics of life so regularly mutates into
a work of death, Esposito endeavors to provide an “operation of excavation”
that can finally ask and answer the “question that is either missing or has been

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