Tax Court Dismisses Valuation Expert's Report Due to Conflict of Interest

Published date01 May 2017
Date01 May 2017
DOIhttp://doi.org/10.1002/npc.30314
Bruce R. Hopkins’ NONPROFIT COUNSEL
May 20172THE LAW OF TAX-EXEMPT ORGANIZATIONS MONTHLY
Bruce R. Hopkins’ Nonprofit Counsel DOI:10.1002/npc
ranted and unlawful incursion into the realm of gover-
nance of public charities and other types of tax-exempt
organizations. While never reduced to formal regula-
tions, these policies are “unnecessary” and “ineffective,”
and “impose costs that exceed benefits.” Also on the
block should be reining in of use of the commerciality
doctrine (most certainly an “outdated” policy) and exces-
sive application of the private benefit doctrine.
TAX COURT DISMISSES
VALUATION EXPERT’S
REPORT DUE TO CONFLICT OF
INTEREST
The US Tax Court, on February 22, issued an opinion
valuing two paintings for estate tax purposes (Estate of
Kollsman v. Commissioner). We reviewed this opinion
because the same valuation process would take place in
the nonprofit law context (e.g., valuation of property to
determine a charitable contribution deduction). The Tax
Court found the analysis of the estate’s valuation expert
“unreliable and unpersuasive” (along with undervaluing
the property by $1.77 million) because, in part, he had
a “significant conflict of interest that could cause a rea-
sonable person to question his objectivity.”
Facts
At issue was the value of two seventeenth-cen-
tury Old Master paintings, Maypole, painted by Pieter
Brueghel, and Orpheus, by Jan Brueghel. The estate’s
expert was a Mr. Wachter, vice president of Sotheby’s
North America and South America, and cochairman of
Sotheby’s Old Master Paintings Worldwide (which is to
say he brought solid credentials to the case). Wachter
first saw these paintings in 1981 in the decedent’s
residence; he saw them on several other occasions until
the decedent’s death in 2005. He gave a preliminary
estimate of the value of the paintings when negotiating
auction of them in 2006 at Sotheby’s.
The executor of this estate, shortly after the death,
consulted with a “preeminent fine arts services firm”
(the court’s words) about cleaning and reframing of the
paintings. This firm prepared a report on their condition.
They were eventually cleaned, without removal of any
varnish. Maypole was sold at a Sotheby’s 2009 auction
for $2.1 million.
The estate reported the fair market values, as of the
valuation date, as $500,000 for Maypole and $100,000
for Orpheus. These were the values Wachter assigned
the paintings in 2005. The government asserted the val-
ues were $2.1 million and $500,000, respectively.
Analysis
The court noted that Wachter initially provided his fair
market value estimates at the same time he was soliciting
the executor for the exclusive rights to auction the paint-
ings at Sotheby’s. Wachter was said to have a “direct finan-
cial incentive to curry favor with” the executor by providing
“lowball” financial estimates that would lessen the federal
estate tax burden. Wachter’s simultaneous presentation of
these value estimates and his “pitch for exclusive auction
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Editor: Bruce R. Hopkins. Production Editor: Mary Jean Jones
Address for Editorial Correspondence: Bruce R. Hopkins. email: brucerhopkins@brucerhopkinslaw.com
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