Martin Luther King Jr. on Democratic Propaganda, Shame, and Moral Transformation

AuthorMeena Krishnamurthy
DOI10.1177/00905917211021796
Published date01 April 2022
Date01 April 2022
Subject MatterArticles
https://doi.org/10.1177/00905917211021796
Political Theory
2022, Vol. 50(2) 305 –336
© The Author(s) 2021
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DOI: 10.1177/00905917211021796
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Article
Martin Luther King Jr. on
Democratic Propaganda,
Shame, and Moral
Transformation
Meena Krishnamurthy1
Abstract
This essay develops an account of Martin Luther King Jr.’s justification for
and use of what I will call “democratic propaganda”—truthful propaganda
that is aimed at promoting and fostering democratic political action
by stirring readers’ emotions. I interpret King’s famous “Letter from
Birmingham Jail” in the broader context of his work and argue that it is
a piece of democratic propaganda. I give an account of what led King to
support the use of democratic propaganda and why he hoped it would
help to overcome a central problem in the civil rights movement: the
political inaction of the white moderates. King emphasizes shame in the
Letter, and I argue that this concept offers us a new way of thinking about
the efficacy of democratic propaganda. I close by considering the relevance
of King’s approach for today’s Black Lives Matter movement. Despite the
innovativeness of King’s use of shame, I suggest it may be time for a new
approach to Black politics and activism.
Keywords
political philosophy, civil disobedience, non-violence, racial segregation,
Martin Luther King Jr., moral psychology, moral motivation, shame, empathy
1Queen’s University, Kingston, ON, Canada
Corresponding Author:
Meena Krishnamurthy, Queen’s University, 325 Watson Hall, Kingston, ON K7L 3N6,
Canada.
Email: meena.krishnamurthy@queensu.ca
1021796PTXXXX10.1177/00905917211021796Political TheoryKrishnamurthy
research-article2021
306 Political Theory 50(2)
On April 12, 1963, Martin Luther King Jr. was arrested in Birmingham,
Alabama, for violating an injunction against “mass street parades or mass
processions or like demonstrations without a permit.” During his time in jail,
King wrote his famous “Letter from Birmingham Jail” (2000b)1 in response
to the recent “Call for Unity” made by eight clergymen (“White Clergymen”
1963). However, the Letter was also aimed at a second audience: “white
moderates” outside the church, including members of the Kennedy adminis-
tration and the editorial boards of major newspapers and magazines, such as
the New York Times and Time magazine.2 Although this group of white mod-
erates explicitly agreed that racial segregation was wrong, they had not
themselves joined the movement, and they preached moderation and gradual
progress, advising King and his supporters not to demonstrate but to engage
in “open and honest” discussion and wait patiently for the courts to end
racial segregation (“White Clergymen” 1963). King rightly saw this as ask-
ing him to continue to accept injustice, exploitation, and indignity (1997b).
The political inaction of the white moderates was an ongoing problem for
King. He knew he needed the support of at least some of the more powerful
white moderates to create political change. He also knew that reasoning with
them was, in itself, unlikely to convince them to join the movement; they
already knew that racism was wrong. What he needed was something that
would spur them to act on this knowledge. He, therefore, used a series of
rhetorical strategies to convince them of the need for direct action and to
motivate them to actually participate in the movement. These strategies had
long included appealing to Biblical stories, invoking the Declaration of
Independence, encouraging his readers to imagine and hope for a better
world, appealing to moral truth and the potential for moral progress, and
reminding readers of the moral necessity of keeping one’s promises.
In the Letter, King added another technique to his arsenal: shame. Consider
this memorable passage:
I must confess that over the past few years I have been gravely disappointed
with the white moderate. I have almost reached the regrettable conclusion that
the Negro’s great stumbling block in his stride toward freedom is not the White
Citizens’ Counciler or the Ku Klux Klanner, but the white moderate, who is
more devoted to “order” than to justice; who prefers a negative peace which is
the absence of tension to a positive peace which is the presence of justice; who
constantly says: “I agree with you in the goal you seek, but I cannot agree with
your methods of direct action”; who paternalistically believes he can set the
timetable for another man’s freedom; who lives by a mythical concept of time
and who constantly advises the Negro to wait for a “more convenient season.”
Shallow understanding from people of good will is more frustrating than
Krishnamurthy 307
absolute misunderstanding from people of ill will. Lukewarm acceptance is
much more bewildering than outright rejection (2000b, 96–97).
Here, King articulates his disappointment in white moderates, inviting them
to recognize their moral failings and to do better. The Letter aimed to evoke
white moderates’ sense of shame to make them feel “the fierce urgency of
now” and to lead them to join the movement (King 1991, 217–218).
This essay develops an account of Martin Luther King Jr.’s justification
for and use of what I call “democratic propaganda”—truthful propaganda
aimed at promoting and fostering democratic political action by stirring the
emotions. I position the Letter in the context of King’s broader oeuvre and
argue that it is a piece of democratic propaganda. I also offer an account of
why King believed that democratic propaganda would help to overcome a
central problem in the civil rights movement: the political inaction of the
white moderates. As we will see, King’s version of democratic propaganda
relies heavily on moral shame.
This essay is particularly significant for those who are interested in
King’s philosophical thought. Currently, many scholars view the Letter as a
rational argument meant to persuade the white moderates of the justness of
civil disobedience.3 This is certainly true, but I argue that the Letter is more
than that. It is also a “sensible sermon,” blending both intellectual and emo-
tional appeals; it seeks to show white moderates how urgent the need for
political action is and to move them to take that necessary action. King used
the Letter to hold up a mirror to white moderates’ betrayal of their stated
principles in order to stimulate a sense of shame in his readers. He hoped
this experience of shame would spur the “best” of them to make a moral
transformation, to root out the rationalizations, biases, and prejudices that
were preventing many white moderates from supporting and joining in the
civil rights movement. While others have noted that King’s Letter is a form
of sermon,4 no previous scholarship has examined his views about the ser-
mon alongside his views on propaganda. When read together, we can see
that the Letter, as a sensible sermon, is in fact a piece of (democratic)
propaganda.5
My argument here is also relevant to debates about propaganda within
mainstream philosophy. Much of the current philosophical discussion of propa-
ganda focuses only on its problems, particularly its use by totalitarian and
authoritarian regimes. For example, while Jason Stanley’s recent and well-
known work on the topic in How Propaganda Works does consider the demo-
cratic potential of propaganda, it explicitly focuses on its role in supporting
demagoguery (2015). However, there is a longstanding tradition in Black polit-
ical thought that emphasizes propaganda’s democratic potential. As Melvin

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