Lord John Manners and the Young England Movement: Romanticism in Politics

AuthorCharles H. Kegel
Published date01 September 1961
DOI10.1177/106591296101400305
Date01 September 1961
Subject MatterArticles
691
LORD
JOHN
MANNERS
AND
THE
YOUNG
ENGLAND
MOVEMENT:
ROMANTICISM
IN
POLITICS
CHARLES
H.
KEGEL
Idaho
State
College
NE
IMPORTANT
BY-PRODUCT
of
the
Romantic
Movement
was
the
~
nineteenth
century’s
persistent
tendency
to
look
back
at
the
Middle
Ages
with
a
wistful
nostalgia.
Confronted
with
the
tremendous
social,
political,
and
religious
dislocations
which
accompanied
the
industrial
revolution,
many
nineteenth-century
thinkers
longed
for
the
stability
and
unity
which
they
thought
characterized
medieval
life.
Contrasts
of
the
medieval
with
the
modern
-
the
former
always
found
preferable
-
were
common;
and
the
work
of
Cob-
bett,
Southey,
Digby,
Pugin,
Carlyle,
Ruskin,
and
Morris,
to
name
only
a
few,
abundantly
testify
to
the
vitality
with
which
the
resurgence
of
interest
in
the
Middle
Ages
asserted
itself.
At
its
best,
as
in
the
work
of
Ruskin
and
Morris,
this
medieval
enthusiasm
led
toward
a
liberal,
even
radical,
political
orientation;
at
its
worst,
as
in
Southey,
it
led
toward
sheer
reaction.
This
paper
will
describe
the
impact
of
the
new
interest
in
the
Middle
Ages
upon
Lord
John
Manners
and,
through
him,
upon
the
Young
England
Movement,
a
parliamentary
experiment
in
romanticism
which
created
considerable
stir
during
the
eighteen-forties.
Born
in
1818
to
a
noble
family
dating
back
to
the
Norman
Conquest
and
heir
to
the
Dukedom
of
Rutland;
raised
in
Belvoir
Castle,
a
restored
Norman
Gothic
structure;
educated
at
Wick
House,
Eton,
and
Trinity
College,
Cambridge;
Manners
was
an
aristocrat,
a
high
churchman,
and
a
Tory.
At
the
age
of
sixteen
he
read
through
the
three
volumes
of
Hallam’s
Mid-
dle
Ages,’
the
work
which,
according
to
historiographer
Peardon,
was
one
of
the
first
historical
attempts
&dquo;to
give
a
more
adequate
sense
of
the
spirit
and
character
of
the
Middle
Ages.&dquo;
Z With
his
college
friends,
Alexander
Cochrane-Baillie
and
George
Smythe,
both
of
whom
were
destined
to
sit
with
him
in
Parliament
as
the
Young
England
party,
Manners
read
and
discussed
works
favorable
to
the
feudal
principle.
&dquo;They ...
bowed
a
willing
knee,&dquo;
wrote
Manners’
biographer,
&dquo;before
the
lofty
seat
whereon
Sir
Walter
Scott
sat
enthroned.&dquo;
3 Southey
they
accepted
as
a
champion,4
and
Manners’
later
The
Monastic
and
Manufacturing
Systems
indicates
the
special
debt
which
he
owed
to
the
laureate’s
Colloquies,
a
work
which
pleaded
not
only
for
the
establishment
of
Protestant
nunneries
and
monasteries,
but
also
painted
an
attractive
picture
of
the
&dquo;kindly
feelings
and
ennobling
attachments&dquo;
of
the
feudal
structure.5
From
Carlyle
they
learned
&dquo;to
deplore
the
excessive
worship
of
mere
wealth
and
machinery
that
prevailed
1
Charles
Whibley,
Lord
John
Manners
and
His
Friends
(Edinburgh:
Blackwood,
1925),
I,
47.
2
Thomas
Preston
Peardon,
The
Transition
in
English
Historical
Writing
1760-1830
(New
York:
Columbia
University
Press,
1933),
p.
276.
3
Whibley,
op.
cit.,
I,
131.
4
Ibid.,
I,
260.
5
Robert
Southey,
Sir
Thomas
More:
or,
Colloquies
on
the
Progress
and
Prospects
of
Society
(London:
John
Murray,
1829),
I,
60.

To continue reading

Request your trial

VLEX uses login cookies to provide you with a better browsing experience. If you click on 'Accept' or continue browsing this site we consider that you accept our cookie policy. ACCEPT