Child Labor and Photojournalism

Published date14 October 2011
Date14 October 2011
DOIhttps://doi.org/10.1108/S0275-7982(2011)0000006010
Pages139-160
AuthorEdoardo Gianotti
CHILD LABOR AND
PHOTOJOURNALISM
Edoardo Gianotti
ABSTRACT
The purpose of this study is to provide a ref‌lective and evaluative review of
photographic practice by the author on the topic of human rights
violation/child labor. Visual methods and collaboration with children’s
rights researchers and advocates produced work from four regions
including Africa, South Asia, South America, and Northeastern Europe.
The human rights framework of the ILO establishes child rights standards
and this analysis discusses f‌indings from the f‌ield, human rights
implications, and raises the broad issue of social and professional
responsibilities.
INTRODUCTION
A delicate balance should be produced between careful visual documenta-
tion and sensationalism regarding human rights and children’s rights
violations. Child labor in poverty-stricken countries can in many ways be
compared with situations in Europe and the United States at the beginning
of the 20th century and all the way into World War II. Even though only a
short time has elapsed since then, we often feel we have evolved far beyond
Human Rights and Media
Studies in Communications, Volume 6, 139–160
Copyright r2011 by Emerald Group Publishing Limited
All rights of reproduction in any form reserved
ISSN: 0275-7982/doi:10.1108/S0275-7982(2011)0000006010
139
those ‘‘barbaric’’ practices, which we tend to allocate to a distant past.
However, that distant past is in fact the present for millions of children
surviving today under different skies. The problem worldwide is serious and
continues to require urgent national and international intervention
(Gianotti, 2002, 2004).
Media in general and photo reporting in particular have a prominent role to
play in reaching and making the public aware of social problems, as well as in
making possible the intervention of the international community through
organizations and agencies. But a gnawing question awaits photojournalists
eager to achieve this purpose: Should they proceed steadfastly to their task,
without pausing for ref‌lection and self-appraisal, and thus add their own
violent reporting to the violence that the children must already endure daily.
Should they instead focus on expressing respect for their subjects and
emphasizing their human dignity above other debasing images?
News reporting often is affected by an over-realistic sensationalism. On the
one end, privacy policies and state security hinder a complete circulation of
news embarrassingto power-holders. On the otherend, in the name of freedom
of the press, photojournalism purposefullydepicts reality as starkly as possible,
overstating the darkest side of poverty, wars, and burning social issues. With
the aim to further shock a public whose senses are already accustomed to the
worst images of a global society, the media focus potentially on the worst,
disregarding in some cases other ‘‘collateral effects,’’ possibly positive,
emergingfrom the dire straits wherea part of humanity lives. The consequences
of this often unquestioned conditioning of public awareness are countless.
Freedom of the pressitself is one victim of this stateof affairs and continues to
be affected bya sort of dictatorship of the ‘‘worst,’’that makes the poor poorer
than they really are or adds violence to the violence that people already
experience. Professional deontologyfades away in the name of sensationalism.
Human suffering can become a matter of media scoops.
PROFESSIONAL DEONTOLOGY
Deontology is a social doctrine of duties developed earlier by Bentham, that
we summarizes as follows: ‘‘To ensure the greatest happiness to the largest
possible number of people.’’ Since this doctrine was devised, a system of
social-ethical norms rules the practice of professional associations. The
goals of bringing no harm, treating persons with dignity and respect, and
providing benef‌icence are articulated in professional codes of ethics
(Papademas, 2009).
EDOARDO GIANOTTI140

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