Black Lives Matter Toward Afromodernity: Political Speech, Barbarism, and the Euromodern World
| Published date | 01 March 2024 |
| DOI | http://doi.org/10.1177/10659129231204833 |
| Author | Derefe Kimarley Chevannes |
| Date | 01 March 2024 |
| Subject Matter | Articles |
Article
Political Research Quarterly
2024, Vol. 77(1) 213–225
© The Author(s) 2023
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DOI: 10.1177/10659129231204833
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Black Lives Matter Toward Afromodernity:
Political Speech, Barbarism, and the
Euromodern World
Derefe Kimarley Chevannes
1
Abstract
This paper proffers an Afromodern analysis of black liberation, embodied in the Black Lives Matter movement. In doing
so, it revisits the historical concept of barbarism as a critical modality for human silencing, in order to make sense of anti-
black racism in our extant social order and its re-articulation through systematic discourses of black criminality. The
essay explores two dialectically opposing modernities as having differentiated effects on the construction of the human
being. Euromodernity barbarizes the black subject as a carceral being, absent political speech. Afromode rnity, con-
trastingly, fashions the black subject as a communicative being endowed with political speech and as such, black politics
becomes not a relic of barbarism, but in lieu, embodies a modern re-enactment of political society. The paper concludes
that Black Lives Matter functions as an Afromodern displacement of Euromodern anti-black racism by contesting
American democracy as a carceral apparatus to ensure a democratic revolution.
Keywords
race and identity, black lives matter, Afromodernity, political speech, mass incarceration
This essay offers a reconstructive reading of black lib-
eration within the twenty-first century, reimagined in
contemporary parlance as the Black Lives Matter
movement. It was Anna Julia Cooper who once dismissed
as a barbaric proposition, discourses on women’s rational
faculties that contend “higher education was incompatible
with the shape of the female cerebrum”(1988, 65). Her
rejoinder was simple: “But these are eighteenth century
ideas,”ones unsuited for the modern sensibilities of the
nineteenth century, in which she wrote (1988, 66). W.E.B
Du Bois, in the same vein, argued: “The problem of the
Twentieth Century is the problem of the color-line”(1994,
9). Du Bois’problematizing of the race problem, or more
historically, the Negro problem, as being a constitutive
feature of modernity or civilizational progress, renders
analyses of anti-black racism incoherent or inchoate, if
they elide critical conversations about what it means to be
a modern subject in a seemingly modern age.
In what follows, I offer an interpretation of Black
Lives Matter
1
(BLM) as a form of political speech that
opposes the Euromodern project of preempting and
disavowing blackness. In the Euromodern world, to be
black is to be a barbaric artifact of the past, warranting
exile from the world of the present and, most crucially,
the political sphere wherein the world of the future is
produced. As such, I propose that implicit in the for-
mulation that “Black Lives Matter”is the claim that
black speech is understood as having an intrinsically
political function. I begin by articulating a portrait of
Euromodernity as reconfiguring an Aristotelian logic of
politics, speech, and barbarism. I then develop an ac-
count of how Euromodernity’s rendering of blackness
sediments as a form of racialized criminality and illicit
appearance, necessitating colonial modes of control and
incarceration. I then turn to elucidating Black Lives
Matter as exemplifying and developing an Afromodern
approach to political speech. Finally, I analyze this
Afromodern approach as a mode of abolition-democracy
whose revolutionary telos is one where Black Lives
Matter can, in short, be re-interpreted as an attempt to
abolish the Euromodern world such that Afromodern
political speech can emerge. This democratic revolution
1
The University of Memphis, Memphis, TN, USA
Corresponding Author:
Derefe Kimarley Chevannes, Department of Political Science, The
University of Memphis, Clement Hall, Walker Ave, Memphis, TN 38152-
6400, USA.
Email: dkchvnns@memphis.edu
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