American Horror Story and Philosophy
Richard Greene & Rachel Robison-Greene, editors
Open Court Publishing Company
70 East Lake Street, Suite 800, Chicago, IL 60601
9780812699722, $19.95, PB, 256pp, www.amazon.com
Synopsis: In American Horror Story and Philosophy, philosophers with varying backgrounds and interests explore different aspects of this popular "erotic thriller" TV show, with its enthusiastic cult following and strong critical approval. The result is a collection of intriguing and provocative thoughts on deeper questions prompted by the creepy side of the human imagination.
As an "anthology show", American Horror Story has a unique structure in the horror genre because it explores distinct subgenres of horror in each season. As a result, each season raises its own set of philosophical issues.
The show's first season, Murder House, is a traditional haunted house story. Philosophical topics expounded here include: the moral issues pertaining to featuring a mass murderer as one of the season's main protagonists; the problem of other minds? when I see an old hag, how can I know that you don't see a sexy maid? And whether it is rationally justified to fear the Piggy Man.
Season Two, Asylum, takes place inside a mid-twentieth-century mental hospital. Among other classic horror subgenres, this season includes story lines featuring demonic possession and space aliens. Chapters inspired by this season include such topics as: the ethics of investigative reporting and whistle blowing; personal identity and demonic possession; philosophical problems arising from eugenics; and the ethics and efficacy of torture.
Season Three, Coven, focuses on witchcraft in the contemporary world. Chapters motivated by this season include: sisterhood and feminism as starkly demonstrated in a coven; the metaphysics of traditional voodoo zombies (in contrast to the currently fashionable "infected" zombies); the uses of violent revenge; and the metaphysics of reanimation.
Season Four, Freak Show, takes place in a circus. Philosophical writers look at life under the Big Top as an example of...