Vol. 76 Nbr. 4, December 1994
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- 'In this cold barn we dream.' (A Range of Critical Perspectives) (The Subject in/of Art History)
- Art historical topologies.
- Cross-cultural interpretations of imagery in the Middle Ages.
- Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought.
- Flexible time.
- Folengo and Romanino: the 'Questione della Lingua' and its eccentric trends.
- From bowman to clubman: Herakles and Olympia.
- In the Theater of Criminal Justice: The Palais de Justice in Second Empire Paris.
- Jan van Kessel.
- New encounters with Les Demoiselles d'Avignon: gender, race, and the origins of cubism.
- On telling tales.
- On the histories of artifacts.
- Piety and patronage in seicento Rome: two noblewomen and their convents.
- Private Lives, Imperial Virtues: The Frieze of the Forum Transitorium in Rome.
- Subject/subjectivity and agency in the art of African Americans.
- The image of Ganymede in France, 1730-1820: the survival of a homoerotic myth.
- The Last Descendant of Aeneas: The Hapsburgs and the Mythic Image of the Emperor.
- The Palace of the Sun: The Louvre of Louis XIV.
- The subject in the scene of representation.
- Watteau's Painted Conversations: Art, Literature, and Talk in Seventeenth- and Eighteenth-Century France.
- We lost it at the movies.
- Why Monet gave up figure painting.