No. 48-2, March 2021
Index
- Beatriz Palacios: Ukamau’s Cornerstone (1974–2003)
- Before the “Ecologically Noble Savage”: Gendered Representations of Amazonia in the Global Media in the 1970s
- Cross-dressing and Transgressing: The Queer Body in Madame Satã
- Gender as a Socially Constructed and “Structural” Category
- Gender, Sexuality, Film, and Media in Latin America: Challenging Representation and Structures
- Mourning, Activism, and Queer Desires: Ni Una Menos and Carri’s Las hijas del fuego
- Reflections of Nonnormativity: Photography, Childhood, and Belonging in Mariana Rondón’s Pelo malo
- Reframing Identities in Argentine Documentary Cinema: The Emergence of LGBT People as Political Subjects in Rosa Patria (Loza, 2008–2009) and Putos peronistas (Cesatti, 2011)
- Resistance and Revival: Indigenous Women Media-Makers in Contemporary Mexico
- Testimonio at 50
- The Sexual Politics of Beauty: Reflections on Contemporary Argentine Cinema
- Transgressive Female Sexuality and Desire in Contemporary Colombian Cinema: Hermida’s La luciérnaga and Rodríguez’s Señoritas