When I walked into the theater to see Pocahontas, I had my choice of venue. It was playing on three of six screens, and the line waiting to get in never seemed to diminish. Later, I looked at the film section of the local paper and found that somewhere in the vicinity the movie was starting every fifteen minutes. Now that was a depressing thought.In an interview with The New York Times, Eric Goldberg, the film's codirector (with Mike Gabriel), said, "We've gone from being accused of being too white bread to being accused of racism in Aladdin to being accused of being too politically correct in Pocahontas. That's progress to me." As much as I wanted to like Disney's production, I must disagree with Goldberg. Instead of progress in depicting Native Americans, this film takes a step backwards - a very dangerous step because it is so carefully glossed as "authentic" and "respectful." The visual is emotionally more compelling than the written word, to say nothing of being more accessible, and since few people will read about Pocahontas, this film will exist as 'fact' in the minds of generations of American children. They will believe in the Romeo and Juliet in the wilds of North America that Disney has presented, which, as Robert Eaglestaff, principal of the American Indian Heritage School in Seattle, has said, is much like "trying to teach about the Holocaust and putting in a nice story about Anne Frank falling in love with a German officer." It might seem a moot point at best to debate the authenticity or reality of an animated film in which a tree speaks words of wisdom and the protagonist guides her canoe over a deadly looking waterfall without mussing her hair. If this were a story about a fictional character in a fictional situation, I would agree. I like Mickey Mouse, too. But Pocahontas was a real woman who lived during the pivotal time of first contact with the outside force that would ultimately decimate her people. Although we know of her only from the English reports, and some of the details are a bit hazy, there are some facts that are well supported. For one thing, she was not a voluptuous young woman when she met John Smith but a ten- to twelve-year-old girl, and John Smith was a thirty-something mercenary who more resembled a brick than a blonde Adonis. Smith's report of Pocahontas's brave act in saving his life was nowhere to be found in his initial description of his capture by Powhatan in 1608, surfacing only eight years later in a letter...
Disney's 'politically correct' Pocahontas.
Animated film - Race in Contemporary American Cinema: Part 5 The animated film 'Pocahontas' avoids the most relevant political issues in the history of US race relations by depicting its heroine in sentimental terms. The film is already damaging in its inaccurate portrayal of a historical figure, but it also creates a stereotypical heroine who must fall in love with the enemy to initiate change... (see full summary)
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